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Tate Modern: A world in common: Contemporary African Photography

Tate Modern launches a major new exhibition celebrating the dynamic landscape of photography across the African continent today. Bringing together 36 artists from different generations and geographies, A World in Common: Contemporary African Photography explores how photography and video has allowed artists to examine legacies of the past while imagining more hopeful futures. Unfolding across three chapters, the exhibition charts the dialogue between photography and contemporary perspectives on cultural heritage, spirituality, urbanisation, and climate change to reveal shared artistic visions that reclaim Africa’s histories and reimagine its place in the world.


Aida Muluneh, Star Shine Moon Glow, Water Life 2018. Commisioned by WaterAid
Aida Muluneh, Star Shine Moon Glow, Water Life 2018. Commisioned by WaterAid

Since the invention of photography in the 19th century, Africa has been broadly defined by Western images of its cultures and traditions. During the colonial period, it was used as a tool to construct the representation of African societies through a Eurocentric lens. Challenging these dominant images of the continent, A World in Common features over 150 works that illuminate how photography can imagine alternative visions of Africa’s many histories, cultures and identities. Regal portraits of kings and queens join intimate scenes of family life and stark documentary images of post-industrial ruin. Family photo albums and stylishly composed studio portraits reflect the shared sense of community and belonging that connects Africa and its global diaspora, while scenes of devastated coastlines and otherworldly landscapes consider the growing impact of the climate emergency. Guiding viewers along many landscapes, borders, and time zones, the exhibition showcases how photography allows the past and future to co-exist in powerful and unexpected ways.

During the precolonial period, many African societies were governed as kingdoms where ancient dynasties held an important role in the shaping of spiritual and cultural identity. Interweaving historical narratives with imagined scenes of Africa’s regal past, artists including George Osodi and Kudzanai Chiurai explore histories of anticolonial resistance and political revolt. The power of ritual plays an important role in many African religions and spiritual practices. For artists such as Khadija Saye, Rotimi Fani-Kayode and Maïmouna Guerresi these rites of passage and acts of remembrance offer portals between the living and their ancestors. Shape shifting between the spiritual and physical world, West African masquerade has traditionally been used to embody spirits during performances and ceremonies. In photographic works by Edson Chagas and Zina Saro-Wiwa, it becomes a powerful medium for the activation of cultural memory and collective identity.



Edson Chagas, Tipo Passe, Pablo P. Mebla, 2014. Courtesy The Artist and Apalazzo Gallery
Edson Chagas, Tipo Passe, Pablo P. Mebla, 2014. Courtesy The Artist and Apalazzo Gallery

The exhibition explores the rise of studio photography across the continent during the 1950s and 60s – a time when many African nations gained independence. Working within their local communities, pioneering photographers such as James Barnor in Ghana and Lazhar Mansouri in Algeria, photographed families and individuals who would gather proudly to have their portraits taken, often for the first time. Further enhancing this rich history of self-expression and representation, artists such as Atong Atem, Sabelo Mlangeni and Ruth Ossai consider the contemporary relevance of family portraiture as a space of kinship and connection.

The legacy of postcolonial utopias continues to inspire artists to confront present-day landscapes at a time when Africa’s place in the world has never been more vital. The stark realities of globalisation and inequality are made visible as artists contemplate the impact of climate change and urbanisation on local communities. The work of François-Xavier Gbré, Andrew Esiebo and Kiluanji Kia Henda documents the expansion and transformation of urban cityscapes while Mário Macilau, Aida Muluneh, and Julianknxx explore themes of migration and climate activism in ways that empower the viewer to imagine hopeful new futures.

Inspired by the ethos of A World in Common, London-based designer and photographer Ronan Mckenzie has created a free public space outside the exhibition for people to gather and relax. Equipped with sofas, desks and soft furnishings, Common Ground invites visitors to take a book from its library or listen to a specially curated playlist by Touching Bass, offering a welcoming place to work, rest and connect with others.



Atong Atem, Studio Series, Adut and Bigoa, 2016, © Atong Atem
Atong Atem, Studio Series, Adut and Bigoa, 2016, © Atong Atem

A World in Common: Contemporary African Photography is curated by Osei Bonsu.


A World in Common: Contemporary African Photography

6 July 2023 – 14 January 2024

Tate Modern, Bankside, London SE1 9TG

Open daily 10.00–18.00. Follow @Tate #AWorldinCommon


List of artists

Kelani Abass; Leonce Raphael Agbodjélou; Malala Andrialavidrazana; Atong Atem; Sammy Baloji; James Barnor; Edson Chagas; Kudzanai Chiurai; Ndidi Dike; Andrew Esiebo; Em'kal Eyongakpa; Rotimi Fani-Kayode; Hassan Hajjaj; Délio Jasse; Julianknxx; Samson Kambalu; Kiripi Katembo; Lebohang Kganye; Kiluanji Kia Henda; François-Xavier Gbré; Maïmouna Guerresi; Mário Macilau; Lazhar Mansouri; Sabelo Mlangeni; Cristina de Middel; Santu Mofokeng; Fabrice Monteiro; Aida Muluneh; Wura-Natasha Ogunji; Zohra Opoku; George Osodi; Ruth Ossai; Léonard Pongo; Dawit L. Petros; Zina Saro-Wiwa; Khadija Saye.ffrendo un luogo accogliente per lavorare, riposare e connettersi con gli altri.



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