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Pepón Osorio’s Most Comprehensive Survey to Date Focuses on Elaborate Multimedia. New Museum

Opening June 29, 2023, Alongside Solo Exhibitions of Tuan Andrew Nguyen, Mire Lee, and Wynnie Mynerva

“My Beating Heart/ Mi corazón latiente” will be the most comprehensive exhibition to date by Pepón Osorio (b. 1955, San Juan, Puerto Rico; lives and works in Philadelphia, PA), featuring selected works from the 1990s to today. Known for his provocative, sweeping, multimedia installations, Osorio creates fantastical scenes inspired by everyday environments—from home interiors to barbershops to classrooms—that advance critical discussions on topics such as identity, race, gender, and social justice.

Pepón Osorio, Scene of the Crime
Pepón Osorio, Scene of the Crime (Whose Crime?), 1993. Mixed mediums, 112 x 244 5/8 x 146 3/4 in (284.5 x 621.3 x 372.7 cm). Exhibition view: “NYC 1993: Experimental, Jet Set, Trash and No Star,” New Museum, New York, 2013. Courtesy New Museum. Photo: Benoit Pailley

Informed by his background in theater and performance as well as his experiences as a child services case worker and professor, Osorio’s richly textured sculptures and installations are deeply invested in political, social, and cultural issues affecting Latinx and working class communities in the United States. Installed on the New Museum’s Second Floor, the exhibition will focus on the

elaborate environments that Osorio has been creating since the early 1990s, often developed through long-term collaborations with the individuals in the neighborhoods where they were first shown. “My Beating Heart/ Mi corazón latiente” will also premiere a new work, Convalescence (2023), which focuses on the difficulties of navigating the US healthcare system and the multiplicity of pathways toward healing. The exhibition will feature five of Osorio’s large-scale installations, the earliest of which, Scene of the Crime (Whose Crime?) (1993), included in the 1993 Whitney Biennial, reflects on the social impact of Hollywood’s violent representations of Latinx people, depicting what appears to be the aftermath of a murder in an apartment of a Puerto Rican family in New York City. Other large-scale multimedia installations from the 1990s include En la Barbería No se Llora (No Crying Allowed in the Barbershop) (1994), originally installed in an abandoned barbershop in New Haven, CT, which tackles gender performativity and the perpetuation of machismo; and Badge of Honor (1995), first shown in a storefront in Newark, New Jersey, which investigates the effects of mass incarceration through an intimate conversation between a teenager and his imprisoned father. The exhibition will also include Osorio’s recent project reForm (2014–17), created in collaboration with students and community members in response to a city-ordained shuttering of a Philadelphia school, and Osorio’s new work, Convalescence. Alongside these five installations, the exhibition will also include several sculptural works such as My Beating Heart (2000), a six-foot-tall anatomical heart adorned with a crepe paper technique traditionally used to make piñatas, outfitted with speakers resounding the artist’s own heartbeat.

Pepón Osorio, My Beating Heart
Pepón Osorio, My Beating Heart / Mi corazón latiente. Exhibition view: Ronald Feldman Fine Arts, New York, 2000

This exhibition will provide an opportunity to experience Osorio’s new and most iconic projects together for the first time, demonstrating the distinctive ways in which he creates encompassing environments that illustrate personal stories and reveal crucial societal concerns. “My Beating Heart/ Mi corazón latiente” addresses themes that resonate throughout Osorio’s practice, including the simultaneous resilience and fragility of human life, the values and desires that propel humanity, and the fundamental urgency to better care for one another. “Pepón Osorio: My Beating Heart/ Mi corazón latiente” is curated by Margot Norton, Chief Curator, Berkeley Art Museum and Pacific Film Archive, and former Allen and Lola Goldring Senior Curator, and Bernardo Mosqueira, ISLAA Curatorial Fellow. A fully illustrated catalogue published by the New Museum accompanies the exhibition and includes an interview with the artist by Norton and Mosqueira; a conversation between Osorio and Rita Indiana; and texts by Robert Blackson, Ramón Rivera-Servera, and Guadalupe Rosales.


The New Museum is the only museum in New York City exclusively devoted to contemporary art. Founded in 1977, the New Museum is a center for exhibitions, information, and documentation about living artists from around the world. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery designed by SANAA in 2007, the New Museum continues to be a place of experimentation and a hub of new art and new ideas. “Pepón Osorio: My Beating Heart/ Mi corazón latiente”

June 29–September 17, 2023

New Museum

235 Bowery

New York, NY 10002


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